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A large group of instrumentalists is known as an orchestra or band depending upon if stringed instruments are included. A small singular performer is known as a soloist, and a trio would be three performers, a quartet would be four performers, and a quintet would be five performers. The elements of Music include sound, harmony, melody, rhythm, structure or form, texture and expression. These seven elements of music are essential when creating a piece of music or in the analysis it.

Music is played in public and private areas, highlighted at events such as festivals, rock concerts, and orchestra performance, and heard incidentally as part of a score or soundtrack to a film, TV show, opera, or video game. Musical playback is the primary function of an MP3 player or CD player and a universal feature of radios and smartphones. Music is generally defined as the art of arranging sound to create some combination of form, harmony, melody, rhythm or otherwise expressive content. Exact definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a few specific elements, there is no consensus on their precise definitions.

What is original in Hegel’s view is his claim that music, unlike the other arts, has no independent existence in space, is not “objective” in that sense; the fundamental rhythm of music is experienced within the hearer. The five characteristics of music are sound , melody, rhythm, structure or form, expression, texture, and melody. Music is made with endless combinations of instruments, voices, and sounds, often produced by bands or ensembles. For example, an orchestra is an instrumental group that includes large sections of string, brass, woodwind, and percussion instruments. Instrumental music also includes small ensembles like brass quintets; jazz trios of piano, string bass, and drums; or percussion ensembles that include a range of percussion like drums, bells, and rattles. Melody is the series of coordinated pitches that form the main line of a tune.

Tom Breihan of Stereogum wrote that "Critics hate this thing" and noted the criticism of the casting of Ziegler. Jake Wilson of The Sydney Morning Herald called the film "scarcely less of a baffling fiasco" than Tom Hooper's Cats, that "leaves you wondering what anyone was thinking" and said the casting of Ziegler as an autistic girl is "self-evidently problematic" in the 2020s. James Croot of Stuff also compared Music to Cats, and wrote that the "characters are one-dimensional" and that "an inexplicable cameo from Sia herself is simply bizarre". Stephen Russell of Time Out stated that Music is "a well-intentioned but messily fantastical neurodiversity drama", giving it 2 out of 5 stars and comparing it to Rain Man. Charlotte O'Sullivan, writing for the Evening Standard, gave the same rating and criticised the film, describing it as a "crass and lazy mess". Kevin Maher, writing for The Times, gave the film 2 out of 5 stars, describing the film as a "hodgepodge head-wrecker" and questioning its Golden Globe nominations.

With the advent of the phonograph, records of popular songs, rather than sheet music became the dominant way that music lovers would enjoy their favourite songs. With the advent of home tape recorders in the 1980s and digital music in the 1990s, music lovers could make tapes or playlists of their favourite songs and take them with them on a portable cassette player or MP3 player. Some music lovers create mix tapes of their favourite songs, which serve as a "self-portrait, a gesture of friendship, prescription for an ideal party... an environment consisting solely of what is most ardently loved". And like Confucius he was anxious to regulate the use of particular modes (i.e., arrangements of notes, like scales) because of their supposed effects on people.

Immanuel Kant (1724–1804) ranked music as lowest in his hierarchy of the arts. What he distrusted most about music was its wordlessness; he considered it useful for enjoyment but negligible in the service of culture. But the uses he envisioned for music, despite his innovations, were in the mainstream of tradition; Luther insisted that music must be simple, direct, accessible, an aid to piety. His assignment of particular qualities to a given mode is reminiscent of Plato and Confucius. Aristotle, following Plato, thought that music has power to mold human character, but he would admit all the modes, recognizing happiness and pleasure as values to both the individual and the state. Aristotle made a distinction between those who have only theoretical knowledge and those who produce music, maintaining that persons who do not perform cannot be good judges of the performances of others.